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The Wonder Years

Sarah Hill introduces the portrait busts of Sir Charles Kingsford Smith and Captain Charles Ulm by Enid Fleming.

Creative space

Eric Smith describes the agony and finally the ecstasy of winning the 1982 Archibald Prize with the portrait of Peter Sculthorpe.

Sketches and sermons

Jessica Smith looks at the 'fetching' portrait of Tasmania's first Anglican Bishop, Francis Russell Nixon by George Richmond

Portrait of a Modernist

The National Portrait Gallery acquired the self-portrait by Grace Cossington Smith in 2003.

Private practice

Be bold

The name of Florence Broadhurst, one of Australia’s most significant wallpaper and textile designers, is now firmly cemented in the canon of Australian art and design.

Charlie's angles

Stephen Phillips talks to neurosurgeon Charlie Teo about his practice, perspectives and the anatomy of hope.

Modern Australian Women

Close contemporaries, Thea Proctor, Margaret Preston and Grace Cossington Smith were frequently sources of inspiration and irritation to each other. 

Peripheral vision

Aimee Board chats to emerging photographer Charles Dennington.

Fine and dandy

Whether the result of misadventure or misdemeanour, many accomplished artists were transported to Australia where they ultimately left a positive mark on the history of art in this country.

Big bouquet of Blackmans

Dr. Sarah Engledow explores the context surrounding Charles Blackman's portrait of Judith Wright, Jack McKinney and their daughter Meredith.

Pre-Raphaelite Profile

In 2006 the National Portrait Gallery acquired a splendid portrait of Victoria's first governor, Lieutenant Governor Charles Joseph La Trobe by Thomas Woolner.

Suave

Charles Haddon Chambers the Australian-born playboy playwright settled permanently in London in 1880 but never lost his Australian stance when satirising the English.

Home and away

Sir William Dobell painted the portraits of Sir Charles Lloyd Jones and Sir Hudson Fysh, who did much to promote the image of Australia in this country and abroad.

Beguiling impressions

Sarah Engledow is seduced by the portraits and the connections between the artists and their subjects in the exhibition Impressions: Painting light and life.

Painting mates

Michael Desmond discusses Fred Williams' portraits of friends, artist Clifton Pugh, David Aspden and writer Stephen Murray-Smith, and the stylistic connections between his portraits and landscapes.